Vibrato rate was about 3.5 Hz, i.e., considerably slower than in Western classical singing. Some of the intervals between these peaks were similar to those used in Western music. Histograms showing the distribution of fundamental frequency showed marked peaks for the songs, suggesting a scale tone structure. Sound pressure level, fundamental frequency and spectrum characteristics were analyzed. Recordings were made of the singers'speech and when they sang recitatives and songs from their repertoires. Audio and electroglottograph signals were recorded of four performers of the Old Man roel and four performers of the Colorful Face role. Singers in the classical Peking opera tradition are specializing on one out of a limited number of standard roles. Acoustic characteristics of classical operasinging differ considerably between the Western and the Chinese cultures.
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